Saturday, April 28, 2007
-“we will fly away to the hills where no one will know us”
-“and what will we do?”
-“I can work as a cook in some joint and play the guitar with some band at night”
-“I can work in some shop in the mall or maybe a bookstore and teach little kids”
-“...and we'll get a small cottage on top of a hill...”
-“with a small garden...”
-“we will wake up to see the sunrise together...”
-“so when are we leaving?”
-“tonight 1:30 I’ll get a helicopter. Will pick u up from your house. Pack your bags and be ready”
-“yes...sing me a song beneath the window and I will be there”
-“ya I’ll whistle Chiquitita....and you slip out quietly”
-“and by morning we'll be dropped off and there onwards it’s just us
-“and the house?? You know where the keys are? I know!”
-“it’s in the basement of that house which resonates with violin n piano strains..... The one below the dusty road...the wooden grey house”
-“oh achha..i know that one”
-“and we will meet Austin Plant the old English architect who lives down that road some evening over cakes”
-“his wife bakes lovely ones”
-“and then we will walk back...hand in hand.... as our breaths will draw white frozen patterns on our faces”
-“at nights you will stitch our socks n coats because they will be torn of use and we won’t have money to buy new ones. Carry lots of warm clothes and an umbrella
you have asthma in the cold...so take precautions”
-“Got to go now. Got tons of packing to do. I will wait-don’t be late”.....
Wednesday, April 18, 2007
Lights adorn the entire Bandra scheme, crackers light up the Mumbai sky as the country’s biggest box office moolah rakers dance their wits away within the confines of heavily guarded walls.
Cut to Park View Apartments, Borivali. An eerie gloom shrouds the posh building occasionally interrupted by the sound of tears shed in fond remembrance of a twenty six year old architecture student. An internet networking site floods with sympathies and prayers as the country’s press go berserk trying to capture the aforementioned groom drooling over his bride who, by the nation’s verdict, is “worth it”.
The nation feasts its eyes on the exclusive pictures of this million dollar wedding splashed throughout the papers while a narrow column in some remote corner of the paper struggles for attention to let the world know of a brilliant and young life cut short by a random bullet.
“India Shining”, they say. It sure is.
Tuesday, April 17, 2007
"love just is...whatever it may be,
love just is...you and me..."
na it aint that easy really.i mean its fine as long as "i love you,you love me.we are a happy family."
but what if...i love you and you dont love me?or the other way round?what happens to the happy family?
does it sink into the tears we dont tire shedding...or does it hammer the head which has muted voices playing in it all day?
do we wait?or do we "make" the other one fall in love?
FALL in love...that's the word.someone has to fall and not be pushed....i guess that's the way it is...
love???...what exactly is that?
security?dependance?sex?fluttering eyelashes?snogging at CCD?kissing under an umbrella at lake?....remaining awake through the night with your eyes wide open...thanks to the litres of coffee in you?...what is it exactly??
and yes,i thank HIM for this definition....HIM...the band and not my guy,your guy or any guy for that matter....
"love's the funeral of hearts,
an ode to cruelty-
when angels cry blood;
and flowers of evil are in bloom"
Saturday, April 7, 2007
So I finally managed to catch The Namesake, and to put it in a word, I was disappointed. It was always happens to me-books made into films always fail to live up to my expectations. When you read the book, you tend to make mental sketches of the characters, situations and emotions. But when you see someone else’s imagination take shape on the giant screen in front of you, it is disappointing to see them not match up to your expectations. Maybe this is a wrong approach to watching movies, but that’s the way it is, for me.
Firstly, for me, small details go a long way in making a film impactful .In the beginning shots, the camera rolls over the city roads and pans onto a small road divider sign reading, “The Telegraph. Unputdownable”.The book is set in 1968 and since the film maker does not mention the period of the film, I presume she sticks to the book. The Telegraph began to use the aforesaid catch line only in the last few years.
The trams have been shown with advertisements of ATMs hollering across their tin bodies in the trip the family makes to
During Gogol’s marriage to Moushumi, Ashima recalls her wedding to Ashoke when she remembers herself reciting Daffodils till the end but in the beginning of the film, she is cut short in her recitation by her father-in –law-to be, who recites the concluding lines himself.
The make-up. With all the orange and white flowers adorning her hair and the kilos of kohl in her eyes, Tabu ends up looking more like a Bharatnatyam dancer than a literature student that she’s supposed to be. And the Alta on her hands-it is so weird and one of the biggest misconceptions people have about Bengalis. For once and for all people, Bengali women do not wear it on their hands-be it 1968 or 2007.
Moreover, the make up fails to maintain the continuity of Tabu’s age. She looks old with graying hair in the Taj Mahal trip but scenes later, she looks like a newly wed with her parting smeared with generous doses of vermillion and jet black hair when she receives the news of Ashoke’s death.
I am not being cynical but just pointing out the flaws which caught my eye. I’m no stalwart at judging movies by their technicalities and I lack the qualifications to do so. But as an average movie goer, these were the things which kind of jarred my viewing.
Not everything about the movie is bad. There were quite a few scenes which were warm and touching.
When Gogol returns from Cleveland which his head shorn, the bonding shown between Ashima and her children is a major tear jerker and goes on to say a thousand words without uttering a syllable.
The scene where Gogol’s head is being shaved with the loud punk rock playing in the background is a beautiful scene highlighting the in your face contrast of emotions.
The visuals of the
The scene with the Saraswati idol hauled and being carried in the rickshaw is beautifully shot. The contrasts in the lovemaking scenes of Ashoke-Ashima and Gogol-Maxine have been brought out very subtly without being too grotesque and flesh flaunting. The difference between love and lust has been beautifully brought out....
The concluding scene where Gogol and Ashoke walk down the boulders is beautiful and touching....the words (penned by Jhumpa Lahiri) are equally warm.....
“Will you remember this day,Gogol..try to remember it always...remember that you and I made this journey ,that we went together to a place where there was nowhere left to go.....”